In the Lake Ülemiste, the largest lake surrounding Tallinn, there is boulder called Lindakivi (“Linda’s rock”). In Estonian mythology, it is believed to be one of the boulders Linda was supposed to carry to Kalev’s grave at Toompea, but which fell off her apron. She sat on the boulder and cried, thus creating the lake.

The semi-legendary-mythological “Ülemiste Elder” (Estonian: Ülemiste vanake) is believed to live in the lake. If anyone should meet him, then he is believed to ask: “Is Tallinn ready yet?”. If then the other person answered “yes”, then he would flood the city. Thus, the correct answer would be: “No, there is much to be done yet”. This tale is sometimes viewed as an explanation why Tallinn is building/growing all the time.

(www.en.wikipedia.org)

The University of Cambridge is rich in history – its famous Colleges and University buildings attract visitors from all over the world. But the University’s museums and collections also hold many treasures which give an exciting insight into some of the scholarly activities, both past and present, of the University’s academics and students.

The University of Cambridge is one of the world’s oldest universities and leading academic centres, and a self-governed community of scholars. Its reputation for outstanding academic achievement is known world-wide and reflects the intellectual achievement of its students, as well as the world-class original research carried out by the staff of the University and the Colleges.

Many of the University’s customs and unusual terminology can be traced to roots in the early years of the University’s long history, and this booklet looks to the past to find the origins of much that is distinctive in the University of today.

(http://www.cam.ac.uk)

Pirin National Park

Spread over an area of over 27,000 ha, at an altitude between 1008 and 2914 m in the Pirin Mountains, southwest Bulgaria, the site comprises diverse limestone mountain landscapes with glacial lakes, waterfalls, caves and predominantly coniferous forests. It was added to the World Heritage List in 1983. The extension now covers an area of around 40,000 ha in the Pirin Mountains, and overlaps with the Pirin National Park, except for two areas developed for tourism (skiing). The dominant part of the extension is high mountain territory over 2000m in altitude, and covered mostly by alpine meadows, rocky screes and summits.

Ping Yao is an exceptionally well-preserved example of a traditional Han Chinese city, founded in the 14th century. Its urban fabric shows the evolution of architectural styles and town planning in Imperial China over five centuries. Of special interest are the imposing buildings associated with banking, for which Ping Yao was the major centre for the whole of China in the 19th and early 20th centuries.

The Ping Yao region has been settled by humankind since Neolithic times. There has been an urban settlement on the site of the nominated property since at least the Western Zhou Dynasty, since it was fortified with earthen ramparts during the reign of King Xuan (827-782 BC). With the implementation of the system of prefectures and counties in 221 BC, Ping Yao became the seat of a county administration, and continues to play that role.

In 1370, during the reign of the Ming Emperor Hong Wu, the city was greatly extended. It was fortified with a massive new defensive wall in masonry and brick and the internal layout was greatly altered, reflecting the strict rules of planning of the Han peoples.

Since that time it has evolved steadily as a Han city during the Ming and Qing Dynasties. It emerged as one of the leading commercial cities in northern China during the 16th century, and retained that status well into the present age. In the second half of the 19th century the banking community of Ping Yao dominated Chinese financial life.

(whc.unesco.org)

(whc.unesco.org)

This memorial column, erected in the early years of the 18th century, is the most outstanding example of a type of monument specific to central Europe. In the characteristic regional style known as Olomouc Baroque and rising to a height of 35 m, it is decorated with many fine religious sculptures, the work of the distinguished Moravian artist Ondrej Zahner.

(whc.unesco.org)

Kroměříž stands on the site of an earlier ford across the River Morava, at the foot of the Chriby mountain range which dominates the central part of Moravia. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens.

The history of Kromeríz began with the establishment of a settlement in the floodplain of the Morava river in the 9th century AD during the Greater Moravian Period. By the 12th century, when it belonged to the Bishopric of Olomouc, the original fortified site had disappeared. It did not achieve the status of a fortified town again until the mid-13th century, when a Gothic fort was constructed. The town prospered in the succeeding centuries, becoming the centre of the organization of vassals of the episcopal domains.

In 1497 the wealthy and well-connected Stanislav Thurzo became Bishop of Olomouc. He set about reconstructing and modernizing his castle at Kromeríz. At first this work was carried out using the Late Gothic style of the period, but Renaissance elements began to filter in as the work progressed. Bishop Thurzo also established a garden, comprising orchard, kitchen garden, and flower garden, which was praised by King Vladislav II when he visited Kromeríz in 1509.

Thurzo’s successors made minor modifications and additions to his castle. The castle suffered grievously in the Thirty Years’ War when the town was sacked by the Swedish army in 1643, a disaster followed by an outbreak of plague two years later. It was not until Count Karel Liechtenstein-Castelcorn became Bishop of Olomouc in 1664 that the town’s fortunes began to change. He wanted the town where he lived to have an aristocratic air, and so he undertook many building projects, as well as compelling the burghers to renew their buildings and equipment.

He brought in the talented Imperial civil engineer and architect Filiberto Lucchese, who designed an entirely new Pleasure Garden (Lustgarten) for him after having brought the ruined castle back into a habitable state. When Lucchese died in 1666, his work was taken over by his successor as Imperial architect, Giovanni Pietro Tencalla; the work on the Garden was not completed until 1675.

Once the garden was finished Tencalla’s attention turned to the design and construction of a magnificent episcopal castle and residence. This was to be his masterpiece, in the tradition of the north Italian Baroque school of Genoa and Turin. Nonetheless, it respected its Gothic predecessor, elements of which were blended into the new complex. Meanwhile, Bishop Karel was furnishing the interiors, creating a picture gallery that contained many masterpieces.

The castle was affected by the fire that swept through the town in March 1752. Bishop Leopold Bedrich Eghk oversaw the restoration, bringing in artists and craftsmen to carry out the work, notably the Viennese painter Franz Anton Maulbertsch and the Moravian artists Josef Stern.
The see was raised to an archbishopric in 1777 and the first archbishop, Colloredo-Waldsee, was responsible for the restyling of the Castle Garden in accordance with the romantic approach of the late 18th century. The Pleasure Garden, however, preserved its Baroque geometrical layout. The work on the Castle Garden continued well into the 19th century, with the construction of arcades, bridges, and even a model farmstead. Much of this was carried out under the supervision of the architect Antonín Arche between 1830 and 1845.

(whc.unesco.org)

Plitvice Lakes National Park contains a series of beautiful lakes, caves and waterfalls. These have been formed by processes typical of karst landscapes such as the deposition of travertine barriers, creating natural dams. These geological processes continue today.

The Potala Palace, winter palace of the Dalai Lama since the 7th century, symbolizes Tibetan Buddhism and its central role in the traditional administration of Tibet. The complex, comprising the White and Red Palaces with their ancillary buildings, is built on Red Mountain in the centre of Lhasa Valley, at an altitude of 3,700m. Also founded in the 7th century, the Jokhang Temple Monastery is an exceptional Buddhist religious complex. Norbulingka, the Dalai Lama’s former summer palace, constructed in the 18th century, is a masterpiece of Tibetan art. The beauty and originality of the architecture of these three sites, their rich ornamentation and harmonious integration in a striking landscape, add to their historic and religious interest.

(www.whc.unesco.org)